Programmes

Have you always been curious about what an art handler does? Then our short modules might be something for you. In 20 to 40 teaching periods, you learn about the principles of art handling and about setting up objects. You learn how to manipulate, package, move and install heritage and art objects (in an exhibition space or heritage depot).

Does your heart beat faster in museums, libraries, archives, churches and monasteries? Then perhaps you have a bean for cultural heritage. In this sector, the call for quality care is getting louder and louder: professionalising, preserving and managing, preventive conservation, and of course: taking care of the collections. Does that sound like music to your ears? Then the course 'Preservation

The course is built around specific objects and object families. This is why it is well-suited to real-life conservation and restoration practice. This practice is approached from an integrated vision. This means, among other things, that the heritage object is viewed through contemporary cultural-anthropological glasses. The preservation of our heritage is of social importance, something of the

The Degree in Conservation and Restoration of Cultural Properties offers you the theoretical and practical tools necessary to diagnose and analyze the alterations of cultural properties, and also to decide and execute conservation and restoration treatments that are needed. You will learn to use the new technologies applied to conservation and restoration work, design preventive conservation plans

To strengthen heritage skills and competences, FARO offers a comprehensive training programme. From theory to practice, from basic knowledge to experimentation, for starters as well as seasoned heritage workers, from one-off sessions to longer training series: you can find it all in our training calendar. For the core functions of heritage we offer on yearly basic courses of 2-4 days) These

Art is a pleasure for the senses, it is also the faithful reflection of the era and the society that gave birth to it and one of its most refined cultural manifestations. From rock art paintings from thousands of years ago to the most transgressive performances of today, the different proposals (plastic, architecture, cinematography and other visual arts...) describe an illustrated map of the

The master programme places the necessary emphasis on the acquisition of practical professional knowledge through training, but naturally remains an academic programme with a strong scientific component. Attention is paid to the theoretical principles and methodologies of archivistics and information management, but also to broader policy issues such as management, archiving strategies, selection

The Master CYXAC is designed essentially to train and train researchers both in the material aspects of conservation, as well as in documentary history, for analysis, criticism and research in the face of the complexity and specificity of contemporary art. In this way, a training program of a multidisciplinary character is transferred to the students where, on the one hand, the importance of the

In this master's programme, you and your supervisors work out your own pathway based on your field of interest. This will give you the opportunity to profile yourself within one of the three lines of study: the heritage safeguarder (conservation-restoration) the heritage strategist the heritage researcher. The focus of the programme is on the learning line heritage safeguarder. Via two modules of

Heritage in the 21st century is international, interdisciplinary and transdisciplinary. It is no longer just about monuments and landscapes but has a broad application: built heritage heritage, nature and landscapes archaeological heritage museum studies documentary heritage: archives and libraries securing intangible heritage and ethnology digital heritage Heritage: Policy conservation